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Roman Bronze Oil Lamp

The lamp is complete and very well preserved, except for a hole on the left side of the body. The patina is dark blackish-green with patches of the exposed yellowish metal surface. The lamp is cast in separate pieces, assembled by soldering: body, handle, and plate .

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    Pong Tuek Oil Lamp

    Pong Tuek

    Lamp Information

    Lamp Information

    • Location: Phong Tuek is a subdistrict (tambon) located on the western bank of the Mae Klong River in the Tha Maka district of Kanchanaburi province, in western Thailand.
    • Historical Significance: It is an ancient settlement site with archaeological vestiges, indicating its importance in the past.
    • Archaeological Finds: Significant findings include a 7th-8th century Vishnu image, now housed in nearby Wat Dong Sak, and other artefacts transferred to the Bangkok National Museum.
    • Cultural Context: The artefacts found at Phong Tuek have been identified as being from the Dvaravati period (6th to 8th century), with some items showing influences from Chenla and Prei Khmeng cultures.
    • Archaeological Investigations: French scholar George Cœdès and English antiquarian H. G. Quaritch Wales conducted archaeological investigations in the area in 1927 and 1936 respectively.
    • Present Day: The area still retains much of its rural character, with prevalent banana groves and fields of sugar cane, corn, and chilies. Ancient artifacts continue to be encountered by local residents during agricultural work. 

    Important Note: The search results also mention a "Pong Tuek" located in Cambodia. However, based on the context of your query asking about a "region" and the detailed archaeological information provided, it's likely you are interested in the Thai location

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    Lamp Information

    Lamp Information

    Lamp Information

    The Early Byzantine Lamp from Pong Tuk

    Brigitte Borell

    Abstract

    Three different dates spanning more than half a millennium

    have been suggested for this bronze lamp. The two early datings

    clearly have to be reconsidered. Here new evidence is brought to

    clarify the dating of the lamp to the Early Byzantine period. It belongs

    to a class of bronze lamps common in the Eastern Mediterranean

    area in this period. In addition, it is compared to some very similar

    lamps forming a closely related group; the lamps of this group might

    have been manufactured in Byzantine Egypt. The archaeological

    importance of the Pong Tuk lamp lies in the fact that an Eastern

    Mediterranean artefact of the fifth or probably sixth century CE

    has been found in Thailand. It has to be seen in the context of long-

    distance trade in that period via the Red Sea to India and beyond

    which is described in great detail in a written Western source of the

    sixth century CE.1


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    Value Estimates

    Lamp Information

    Value Estimates

        

    Category


    Estimated Value Range

     

    Standard Roman bronze lamp


    $5,000 – $12,000 USD

     

    Figural type with deity lid


    $12,000 – $20,000 USD

     

    Rare Indo-Roman or Eastern influence


    $20,000 – $35,000+ USD

    More Info

      Information

      • Timeframe: Likely Roman Imperial, circa 1st–3rd century CE.
      • Cultural Context:
         
        • The figural lid with a heavily bearded male face may symbolize Silvanus (a rural Roman god), a satyr, or possibly a theatrical mask. The stylization aligns with provincial Roman art, possibly from Eastern Mediterranean or Roman India trade zones.

      Material Components Analysis

      • Base Material: High confidence this is cast bronze (copper alloy), based on:
         
        • Surface patina layers: Green (malachite), blue (azurite), and blackish oxidation consistent with long-term copper oxidation.
        • Tool and casting marks, especially the seam near the base and spout area, show lost-wax casting (cire perdue) technique—widely used in Roman bronzeware.
      • Internal Corrosion:
         
        • Blue-green internal cuprite/malachite accretion—authentic signs of oxidation over many centuries, not modern artificial patina.
      • Surface Micro-Pitting & Wear:
         
        • These are visible especially in areas around the hinge and under the spout—indicative of burial and subsequent mineral deposition.

      Symbol & Iconography Summary

      • Lid Face Motif:
         
        • Likely Silvanus, Bacchus, or a theatrical mask, rendered in bold facial expression and beard texture.
        • Functioned symbolically, offering protection or association with wine, wilderness, or festivity.
      • Handle Finial (from prior images):
         
        • Stylized lotus or flame motif, common in Roman-Eastern syncretic objects.
      • Lid & Hinge Construction:
         
        • Classical Roman functional design: double-hinge ring with visible corrosion, possibly iron pin or bronze with patina overgrowth.
      • Incised Symbols: (from earlier images)
         
        • The scratch marks may be inventory numbers, owner inscriptions, or ritual symbols. Not immediately legible without raking light or digital enhancement.

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